Set in a subtropical valley in northern NSW, this is a book on the history of late capitalism as reflected in one small Australian town. Local histories are usually works for the archive, parochial chronicles designed to preserve at least some trace of people and places that seem destined to vanish from memory, but this is a book on late modernity, the idea of history itself and on the art of writing about it.
The story of arrival, conflict, and change is told in a series of long overlapping events. As events played out the town came to foster a peculiar sense of its own destiny. Perhaps it had something to do with its small size, its localized media, the way the little society seemed to be enclosed in its own valley, set on its beguiling river, in under an escarpment that reflected its moods back on itself. The town saw itself as cultivating an aesthetic culture and was intent upon imagining itself as a ‘creative town’. According to its own image, the town of Bellingen played itself, staging its civic performance against the backdrop of the escarpment.
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